Friday, October 2, 2009

Brand New Luxury Homes in Singapore

The Ritz-Carlton Residences, Singapore.

The Ritz-Carlton Residences, Singapore, Cairnhill is the first full strata titled luxury residential project launched in Asia The property scene is poised to welcome this brand-name project, synonymous with luxury and hospitality, built on elevated ground in the highly coveted Cairnhill area It is the first residential property in Asia to be equipped with the legendary amenities and service excellence of The Ritz-Carlton The Ritz-Carlton will fully train and manage the wide array of services that include housekeeping, 24-hour dedicated concierge, sommelier and doorman services.




The Orchard Residences (Orchard Boulevard)

“The Orchard Residences” is named for its most coveted and strategic location at the gateway of Orchard Road and for its affinity to the world-famous shopping street’s lead in luxury city living. It is also Orchard Road’s tallest landmark building, a stature and distinction approved by the authorities.

A limited 175 exclusive, super luxury apartments housed in the district’s tallest and most architecturally-definitive landmark aim to offer a lifestyle of timeless elegance and privacy in the midst of the vibrant city below. Standing at a commanding height of 218 metres and with no buildings nearby to rival its stature, the 56-storey residential tower will offer residences with breathtaking, unobstructed panoramic 360º views of Singapore.

Summary:

Location: At the gateway to Orchard Road, at the junction of Orchard Road & Paterson Road
Address: 238 Orchard Boulevard (District 9)
Tenure: 99-year leasehold from 13 March 2006
Expected TOP: 30 December 2010
Overall Building Height: 218 metres, 56 storeys
Residential Levels: 9 to 54
Total Units: 175 super luxury apartments with unobstructed views of Singapore (north- or south-facing)

Count/Unit Type/Levels:
168 typical units on levels 10 to 29 and on levels 31 to 52
3 garden units on level 9
4 penthouse units on levels 53 and 54

:: Image & Passage from:

http://lushhomemedia.com/2007/10/28/the-orchard-residences

Tuesday, September 22, 2009

California Academy of Sciences

Renzo Piano demonstrates a mastery of light throughout his work. At the new California Academy of Sciences in San Francisco's Golden Gate Park, he exhibits the same care lighting a museum of the natural world as he has in lighting some of the world's finest art collections. In addition to demonstrating Piano's aesthetic and technical artistry, the new Academy building exemplifies deep sensitivity to site and environment. This great building recently received LEED Platinum certification, and won a silver-level Holcim Award for Sustainable Construction in 2005.
Light Pavilion
In the 1970s, Renzo Piano and
Richard Rogers revolutionized how people viewed museums with the Centre George Pompidou in Paris. Piano again sets a precedent in the museum world with a large-scale project that emphasizes "green" design. This 410,000-square-foot (38,000-square-meter) building, designed by Renzo Piano Building Workshop with local partner Stantec Architecture (formerly Chong Partners Architecture), provides a new home for the California Academy of Sciences — a combined aquarium, planetarium, natural history museum, and scientific research institution.
The new Academy building is an elegant pavilion structure with a living roof that appears to float over skinny steel supports. At the building's center is a glass-roofed piazza. The overall design is marked by open, flexible exhibit spaces with sight lines to the surrounding park. Using light as a primary element of design, Piano shines away any dark stereotype of a natural history museum with dim musty halls cloistering insular scientists. Even the glass chosen for the project, with a low iron content to maximize transparency, aptly supports the museum's mission of exploring, explaining, and preserving the natural world. The high-performance glass transmits daylight to most occupied spaces while also minimizing heat gain. Piano's extensive use of glass also serves as a reminder of nature's inherent fragility.

Post-Earthquake Opportunity
The California Academy of Sciences was founded in 1853, the first such scientific institution in the West. It moved to Golden Gate Park in 1916, growing over the next 60 years to encompass an expanding program and a cluster of 12 interdependent structures. The 1989 Loma Prieta earthquake significantly damaged some of the structures, with Bird Hall and the Steinhart Aquarium suffering the most damage. After considering repair and seismic retrofitting of the complex, the Academy's board of trustees in 1999 decided to instead build a single, sustainable new building on the Golden Gate Park site. Renzo Piano appeared at the selection interview alone, armed with only a green marker and a sincere desire to understand the organization's mission. After contemplating the existing buildings from the steps of the nearby
de Young Museum and taking in the view from the roof of the Academy, Piano sketched a sinuous roofline that echoed the hilly topography of San Francisco. With this design concept he clinched the deal for the project. To allow for demolition and construction to occur, the Academy moved to a small temporary home near downtown for four years.
Raising the Plane
The Academy project called for integrating the many functions of the previous 12-building facility into a coherent whole. Piano started with the elegant concept of a pavilion that blends seamlessly into the park setting. He has described the museum as "cutting the ground plane of a park and lifting it 38 feet [12 meters] into the air." The undulating roof is planted with nine species of native California plants, which are expected to attract native wildlife. Accessible via elevator, the 2.5-acre (one-hectare) roof also serves as a living classroom, providing a forum for educating visitors about sustainable design and California's ecosystems.

The slopes of the "hills" on the roof draw cool air into the central plaza area and then naturally ventilate the surrounding exhibition spaces. Mechanized skylights open and close to regulate the accumulation of heat inside the building over the course of the day. Natural light reaches the living rainforest inside and the coral reef beneath it. Energy usage at the new Academy is expected to be 30 to 35 percent less than that of a typical building its size. Contributing to that are the six inches (15 centimeters) of soil on the living roof, which insulate the building, keeping interior temperatures ten degrees Fahrenheit (six degrees Celsius) cooler than a conventional roof. The soil is also expected to absorb 98 percent of stormwater, keeping approximately 3.6 million gallons (13.6 million liters) of runoff annually from flowing into the nearby Pacific Ocean.
The border of the pavilion is covered by 60,000 photovoltaic cells that will generate five to ten percent of the energy needed for the building's operation.

New Structure, Old Elements
In the words of Kang Kiang, the former project manager with Chong Partners, the museum design can be described as a "table" that rests on the "legs" of four similarly proportioned pavilions. In between the pavilions on all four sides of the building are curtain walls that ease navigation through the interior. A network of tension cables, described by Piano as a spider web, is connected to a ring truss that secures the building structurally. In the event of an earthquake, all the glass pieces of the plaza's ceiling have been designed with patch fitting to move six inches (15 centimeters) in any direction without breaking. The reinforced concrete walls that support the four pavilion "legs" provide shear walls for the transfer of horizontal forces.

The "leg" on the northeast side of the building preserves two limestone walls from African Hall, a Beaux-Arts-style structure built in 1934. Inside, the building's popular dioramas and ceiling details were painstakingly reproduced from the original. A new space at the far end of the hall houses a colony of live African penguins. Between the pavilions on the south side of the building, new neoclassical columns recalling those of the original Steinhart Aquarium frame the alligator tank, where original tiles and a bronze seahorse railing also preserve some of the character of the previous facility. On the southeast side of the museum, a Foucault pendulum dating to 1951 has been restored to its original glory and stands next to the state-of-the-art planetarium.
Green to the Bones
While only two walls from the old Academy building were integrated into the new structure, little of the demolition waste was wasted: over 90 percent was recycled or reused. And recycled materials permeate the new building. The structural steel contains 95 percent recycled content; the concrete contains 30 percent fly ash and 20 percent slag, both industrial by-products; and the insulation was made from recycled denim. At least half of the wood in the new Academy is
Forest Stewardship Council-certified as sustainably harvested, and one fifth of the building materials were manufactured within 500 miles (805 kilometers).

Other green features include HVAC heat recovery systems, reverse osmosis humidification systems, operable windows in staff offices, and photosensor-controlled artificial lights. Low-flow fixtures and the use of reclaimed water from the City of San Francisco are expected to reduce overall potable water use by 78 percent.
Lively Exhibits
The design team has skillfully woven history, live exhibits featuring 38,000 organisms, and interactive displays that can change as quickly as scientific knowledge itself. Two 90-foot- (27-meter-) diameter domes flank the central piazza. To the east is the Morrison Planetarium dome, with a high-definition projection system and the ability to run a live feed from NASA. To the west is the rainforest dome, in which live exhibits imitate the rainforest ecosystems of Borneo, Madagascar, Costa Rica, and the Amazon. The walkways winding around the interior of the four-story glass dome have such tight curves that a roller coaster company was brought on board as a consultant to perfect the design. From the first floor of the dome, an elevator takes visitors to a tunnel-shaped aquarium representing a flooded forest floor in the Amazon.

Below the ground floor, visitors will find the new Steinhart Aquarium, designed by Thinc and Urban A&O with an emphasis on tactile, sculptural spaces that create the impression of exploring underwater landscapes. The Academy now boasts the deepest coral aquarium in the world, with a 210,000-gallon (795,000-liter) tank that houses a recreated Philippine ecosystem. Part of this exhibit features a crawl hole that leads to a 360-degree bulb, simulating the experience of scuba diving for visitors. This living museum not only provides a safe haven for the Academy's precious cargo of over 20 million specimens, and modern facilities for its research department, but also places its team of scientists in direct contact with museum visitors. The public can view actual lab research through a glass wall on the building's ground floor, and can see into office spaces above the entry hall to the aquarium. The museum itself is also used as a teaching tool about sustainability, with displays explaining the behind-the-scenes features and functions of the building. Renzo Piano says he hopes the new California Academy of Sciences facility will communicate to many generations to come that life on earth is at once beautiful, awe-inspiring, and tremendously fragile.
by Rachel Grossman

Rachel Grossman writes about travel, fine arts, architecture, and interior design from San Francisco. She holds a graduate degree in modern art history from the Courtauld Institute.
Project Credits
USGBC's
California Academy of Sciences LEED score sheet (PDF)
Architecture: Renzo Piano Building Workshop, Genoa, Italy, and Stantec Architecture, San Francisco, CA (formerly Chong Partners Architecture) Project Manager and Owner Rep: DR Young Associates, San Rafael, CA Engineering and Sustainability: Arup, San Francisco, CA, and Teecom Design Group, Oakland, CA General Contractor: Webcor Builders, San Mateo, CA Landscape Architecture: SWA Group, Sausalito, CA Living Roof Consultants: Rana Creek Living Architecture, Carmel Valley, CA Planetarium Technical Consultant: Visual Acuity, Brighton, England

Passage From :
Image From :

Tuesday, August 25, 2009

Daniel Libeskind's Waterfront Showpiece

High-rise apartments and low-rise villas

Marking the entrance to the historic Keppel Harbour, Reflections at Keppel Bay is a new expression for high-rise living and low-rise villa apartment blocks within a tropical climate. A symphony of undulating towers is the focal point of renowned architect Daniel Libeskind's iconic proposal. These sleek curving forms of alternating heights create graceful openings and gaps between the structures. The spaces between the buildings allow for views to the horizon beyond. The resulting composition is a creative interplay of changing planes and reflections.

Reflections at Keppel Bay will feature six glass towers and 11 villa apartment blocks along a 750-m shoreline, all with commanding views of the waterfront, golf course, parks and Mount Faber. The towers are of 24-storey to 41-storey heights while the villa blocks range from six-storeys to eight-storeys.

The towers are crowned with lush sky gardens on sloping rooflines, and are linked by sky bridges, providing pockets of open spaces and platforms with near 360-degree views of the spectacular surrounds. Reflections at Keppel Bay will also showcase stunning water features such as a 100,000-square-feet reflecting pool, which brings the waters right to the doorsteps of the apartments.

Award-winning and of Sydney 2000 Olympics' fame – US-based landscape architect, Hargreaves Associates will also create a lush oasis with the expansive grounds in the residence. The development will look equally spectacular at night, with lighting designed by Lighting Planner Associates, the renowned Japanese lighting specialists engaged to light up the Singapore city skyline and Orchard Road.
passage: http://www.worldarchitecturenews.com
image: courtesy of studio daniel libeskind

Monday, July 20, 2009

Gardens in The Sky

A first look at Libeskind’s Madison Square Park tower

New York’s Madison Square Park is the latest place to go ogling some of the city’s newest skyscrapers. Cetra Rudy and OMA have each designed new towers on the park. Now the area is to get a forward-looking gleaming glass and green residential tower designed by Studio Libeskind, with spiraling gardens in the sky. The dramatic 54-storey tower will sit atop a 14-storey masonry structure that is an annex for the Metropolitan Life building, making it the city’s tallest residential tower.

The design of the building was kept under wraps until recently when it was made public on the Architects Newspaper Blog, which scanned the images to the web from Daniel Libeskind’s new monograph. While the design of the New York Tower is in the embryonic stage, Libeskind said the following today via statement: “The design features a series of spiraling gardens extending the green of Madison Square along the facade of the tower. The tower is set back from its neighbors—maintaining views and maximizing light and air.” "We look forward to a continuing dialogue when the proposal enters the public review process”, he added.

Sharon McHugh

Sunday, June 28, 2009

Marina Bay Sands By Moshe Safdie

Moshe Safdie and Associates
Marina Bay Sands
Singapore
The complex, part of the continuous necklace of activities surrounding Marina Bay, forms a gateway to the city.
Photo © John Horner
Marina Bay Sands, located on the Marina Bay waterfront, is a mixed-use integrated resort. The complex is organized around principal axes that extend into the surrounding urban fabric. Both the north - south promenade and the grand arcade traverse the entire project and are crossed by two east - west spines (view corridors), which connect the planned Gardens by the Bay, the local Metro station, Bayfront Avenue and the waterfront.
Photo © John Horner
Marina Bay Sands integrates a diverse program including an event plaza, three 55-story hotel towers containing 1000 rooms each, a hotel sky garden bridging across the tops of the towers, offering 360-degree views of the city, bay and sea, accommodating outdoor amenities for the hotel including jogging paths, swimming pools, spas and gardens.

Photo © Marina Bay Sands Pte. Ltd. 2006. All rights reserved
Seen from ships anchored at sea, the two windows created by the towers and Hotel Sky Park frame the vistas towards downtown Singapore.Viewed from this vantage point, the project’s foreground, composed of the ArtScience Museum, the promenade and undulating roof structures, serves as a base from which the hotel towers rise, curving skyward.

Photo © John Horner
Also included in the project is a state-of-the art convention center, two theaters seating 2,200 and 1,800, a casino, and a garage for 4,000 cars.A series of layered gardens extends the tropical garden landscape from Gardens by the Bay towards the bay front.

Drawing courtesy Moshe Safdie and Associates

***
Total area: 16 hectare (40-acre)
The complex will be open to the public in December 2009

Associate Architect: Aedas
Structural, Civil engineering : Arup
MEP, FP engineering: R.G.Vanderweil Engineers
Landscape Architecture: Peter Walker and Partners
Interior Deasign: Rockwell Architecture
Signage & Graphics: Pentagram Design
Theater Consulting: Fischer Dachs Associates
Audio-Visual: Specialized Audio Visual Inc. (SAVI)
Water Feature Engineering: HFA International

Thursday, May 28, 2009

Beijing Capital International Airport

Beijing Capital International Airport
Foster + Partners

“A symbol of place, its soaring aerodynamic roof and its dragon-like form celebrate the thrill and poetry of flight. Its gold roof resonates with the Forbidden City, while the striking interior palette of red through orange to yellow evokes traditional Chinese colors.” Foster, Foster + Partners.

Photo © Nigel Young / Foster + Partners

Designed and completed in only four years, Terminal 3 at Beijing Capital International Airport opened ahead of schedule for the 2008 Olympics. The world’s largest building and most advanced airport, the new terminal offers an unparalleled traveling experience, not only technologically, but also in terms of operational efficiency, passenger comfort, sustainability and access to natural light.

Comprising three connected, light-filled volumes - T3A, B and C - the simple, symmetrical diagram fans out at either end to accommodate the arrivals and departure halls for T3A, processing terminal and domestic gates, and T3B, international gates. The satellite T3C, domestic gates, occupies the centre of the diagram. This arrangement is an efficient means of maximizing the perimeter, so increasing the capacity for aircraft stands, while maintaining a highly compact and sustainable footprint.

Passage from: http://www.arcspace.com/architects/foster/beijing_airport/beijing_airport.html

Images from: http://www.arcspace.com/architects/foster/beijing_airport/beijing_airport.html

Tuesday, April 21, 2009

Bottle House - a sustainable Residence

Just run through internet searching for sustainable building materials. I was amazed reading an article about sustainable residence (at least this is my personal opinion) using unusual recyled material...Bottles. Unusual but nice combination...creative mind.






This building is the residence of Indonesian Architect Mr. Ridwan Kamil—the principal architect of architecture firm Urbane Indonesia— in Bandung. The project is fascinating with around 60% of the total surface is cover with recycled bottles..as it is called ' Bottle House'.
















Image Courtesy: Urbane Indonesia

Thursday, April 2, 2009

2009 Central Glass International Architectural Design Competition

THEME
A Community Gathering Place

The theme of this year’s competition is architecture for a new type of community gathering place. It should be neither a conventional community center of the type commissioned by local governments, nor a completely informal space of the type that appears spontaneously. It should be a place where residents can gather to meet their fellow citizens and enjoy a richly fulfilling sense of community.
The modern community center was premised on the idea that local communities are the permanent homes of most of their residents. In that context, the community center was intended to function as the core of the local social network. But this idea didn’t work. As society became more mobile, the falling percentage of permanent residents led to dispersion and diversity. Instead of returning to their neighborhoods, people shifted the focus of their social lives to alumni meetings, coworker gatherings, and interest groups. With the spread of information technology, mobile phones and e-mail became the primary means of communication, resulting in restricted opportunities for face-to-face contact.
Recently, however, the average age of the population is increasing and many communities have gained more permanent residents. People are looking for a place to share with the neighbors that they greet on the street every day. This is the birth of a new kind of social order. In contrast to the orderly mechanisms of theory, it is emerging in new and unexpected ways.Is there anything that architecture can do to support these new developments? We would like applicants to approach the theme from the standpoint of contemporary requirements and to propose community gathering places which, while sidestepping distinctions between public and private, will represent solutions to the constraints and opportunities of the local communities where they are located.
We expect the proposals to differ in scale, conception, and execution. Some will be for small towns, and others for the residents of urban districts. Some will be for new towns, and other for mature neighborhoods. Different requirements will naturally call for different responses. Unlike community centers designed according to the conventional view of modern society, they will lack a single set of defining characteristics. But we do expect each proposal to be an attractive space in its own right.
We would like applicants to propose community gathering spaces that meet the requirements of specific places, scales, and mechanisms, approaching the theme from the standpoint of architectural solutions for the present and the future.

INITIAL SCREENING

Drawings
The following must be included with your application: Floor plan, cross section, site plan (at any scale), and perspective diagram or photo of model. You are free to add charts, diagrams and descriptive text to help describe your proposal. Descriptive texts must be within 100 words.

Materials
Complete all drawings, illustrative matter, and texts on one sheet of thick drawing paper (600mm×840mm). You may use blueprint, pencil, ink, color, and photographs. But do not use panels.

Submission
On the back of your entry attach a piece of paper bearing your name, address, age, telephone or fax number, and e-mail address. Also indicate the name, address, and telephone or fax number of your school or place of employment. In the case of group applications, provide the same information and indicate one individual as the representative of the group.

Address entries to
Dept. of Central Glass International Architectural Design Competition 2009, Shinkenchiku-sha Co., Ltd.2-31-2 Yushima, Bunkyo-ku, Tokyo 113-8501, Japan

Deadline
Applications from Japan must be submitted by mail and postmarked on or before August 3 (Monday), 2009. In person and courier applications will not be accepted.

NB: Applications from overseas countries must also be submitted by mail and must arrive at the competition office no later than August 3 (Monday), 2009.

Announcement of Initial Screening Result
The results of the initial screening will be announced in early September by notifications sent to applicants who have passed the screening and by an announcement on the competition website.

FINAL SCREENING
Final Screening Interviews and PresentationCompetition prizes will be decided by final screening of the seven highest ranking proposals from the initial screening. Final screening will consist of interviews with the winning applicants and presentations of their proposals. Both will be open to public. Final screening will be held open October 31(Saturday), 2009.

Announcement of Final Screening Result
The results of the final screening will be announced in the December 2009 issue of Shinkenchiku and in issue No. 76 of JA.

PRIZES
1st place one / 2,000,000 yen + gift
2nd place two / 300,000 yen + gift
Honourable Mention four / 100,000 yen + gift
Special Prize ten / 50,000 yen
* First Place, Second Place, and Honorable Mention prizes awarded to entries that pass initial screening
* All prize money tax included

JURIES
Toyo Ito, Masaru Okamoto, Riken Yamamoto, Kiyoshi Sakurai, Taro Ashihara, Kengo Kuma, Kunito Takahashi

ADDITIONAL INFORMATION
・Entries must not have been previously published in any form.
・Entries should not be submitted simultaneously to any other competition.
・Registration in advance is not required to participate in the competition.
・The sponsors will not answer questions regarding competition regulations. All matters not covered in these regulations are left to the discretion of the entrants.
・Travel expenses will be paid to winners of the initial screening to enable them to participate in the final screening. Travel expenses will be covered for one representative from each Japanese group, and ¥100,000 paid to one representative from each overseas group. Payment will be made after conclusion of the final screening.
・Copyright to the winning entries will remain the property of their designers, but the sponsors of the competition reserve the right to publish the entries in magazines and other media.
・Competition entries must not infringe the copyright of any other work, either in whole or in part. Do not use images from magazines, books, or web sites. If a copyright infringement is found, prize winning proposals will be disqualified.
・Entries will not be returned. If required, make copies for your own use before submitting your entry.
・Failure to follow any of the competition rules will result in disqualification.
・Personal information submitted in connection with this competition may be shared by the competition organizers and sponsors for competition purposes only. Personal information will not be sold or provided to any third party.

Competition Website http://www.cgco.co.jp/kyougi/

Wednesday, March 18, 2009

BCI Asia Annual Top 10 Awards

The BCI Asia Top 10 Awards provides an overview of architecture firms designing the greatest volume of buildings in seven regional markets of Asia. It aims to encourage the leading firms to strive for the creation of socially responsible architecture. From inception, the Top 10 Awards were among the most coveted prizes in architecture in Asia.

Each year, the BCI Asia Top 10 Awards are bestowed at exclusive events in seven cities of Southeast Asia. The event is an annual highlight in the building industry. The celebrations are a forum for domestic and international networking among elite architecture firms, property developers, manufacturers and service providers.

Tuesday, February 10, 2009

Marina Bay Financial Center, Singapore

Marina Bay Financial Center, Singapore
Kohn Pedersen Fox Associates

The development of Marina Bay marks the next chapter in Singapore’s ongoing commitment to a dynamic urban environment. Matching the energy of Sydney Harbor, Marina Bay is a vibrant urban room and a new focal point for the downtown district: Water is the unifying element that connects a performing arts center, retail, dining, hotels, residential buildings, and commercial facilities.

The Marina Bay Financial Center is situated on the first development site in the new district. Comprising three office buildings and two residential towers on 4.9-acres (two-hectares), the project employs a crystalline architectural language to blend dissimilar program elements into an integrated assemblage. The crystal forms, clad in heavily tinted, low-e glass with a high shading coefficient, are intended to create a strong profile on the Singapore skyline.

Their faceted surfaces break up the massing of the individual buildings by reflecting sunlight in different ways. The towers are oriented to maximize views of the marina.Three of the towers - two offices buildings and one residential structure - rise above a low podium, unifying both the ground plane and the overall development. The other two towers stand free of the podium assemblage. A city park, situated between the towers, covers a below-grade retail mall, which is connected to Singapore’s multimodal transportation network.

Connected by covered walkways, the commercial component contains retail spaces at grade. The 30-story office tower, which sits on a waterfront site, culminates in an open-air rooftop, where a 5,000-square-foot restaurant sits within a bamboo garden and features views of the bay and the civic core of Singapore. At 45 stories, the second office tower offers views past the lower building. Both of the commercial towers have projecting horizontal louvers to shade occupants from Singapore’s tropical sun. A public plaza around the lower building provides porosity through the site and a focal point for the retail component.Horizontal fins and continuous balconies serve as shading devices on the residential buildings and ensure formal continuity with the commercial towers.

Marina Bay Financial Center Singapore.
Information & Images Courtesy By Kohn Pedersen Fox Associates

Monday, February 2, 2009

Aga Khan Award for Architecture

Review and Selection Procedures

Master Jury
The review of projects and the selection of Award recipients is the responsibility of an independent Master Jury specially appointed for each Award cycle. Each jury is pluridisciplinary, and brings together specialists in such fields as history, engineering, philosophy, architectural conservation, and contemporary arts, as well as practising architects, landscape architects and urban planners.
For the Eleventh Award Cycle, the Master Jury will hold two meetings to arrive at its final decisions. At its first meeting, the jury reviews the submissions enrolled through the nomination programme. The jury examines the documentation on each project and select approximately twenty-five to thirty projects for On-Site Project Review by experts selected by the Award.

On-Site Project Review
The Project Reviewers are architectural professionals specializing in various disciplines, including housing, urban planning, landscape design and restoration. Their task is to examine on site each of the projects shortlisted by the Master Jury, verifying project data and seeking additional information such as user reactions. The Reviewers must consider a detailed set of criteria in their written reports, and must also respond to specific concerns and questions prepared by the Master Jury for each project. To ensure maximum objectivity, Reviewers report on projects located outside their native countries.

Selection of Award Recipients
At the second week-long meeting of the Master Jury, the Project Reviewers make personal presentations on the projects they have reviewed. After evaluating the projects in closed sessions, the Jurors select the Award recipients and determine the apportionment of the US$ 500,000 prize fund. Since the success of a winning project may be the product of efforts by diverse individuals, groups and organizations, the Master Jury apportions prizes among the contributors - architects, other design and construction professionals, craftsmen, clients and institutions - whom it considers most responsible for the success of each project. The decisions of the Master Jury are final.

Passage from: http://www.akdn.org/akaa_review.asp

Thursday, January 8, 2009

OMA Residential Tower In Singapore

Far East Organization, Singapore’s largest private development company, has commissioned the Office for Metropolitan Architecture for OMA’s first architectural project in Singapore – a 36-storey residential high-rise. The Singapore tower is a design by OMA Partner Ole Scheeren. Unlike most architecture firms OMA are a collaborative office which works as a Partnership. The 153 meter tall tower will be located at the intersection of Scotts Road and Cairnhill Road, in close proximity to Orchard Road, Singapore’s famous shopping and lifestyle street. With 20,000m² of built floor area, the building will provide 68 high-end apartment units with panoramic views.

The design strategically maneuvers within the highly regulated building environment to maximize the full potential of the site: Four individual apartment towers are vertically offset from one another and suspended from a central core. The skyline of floating towers directly relates to the surrounding building volumes and explores the most attractive views towards the city center and an extensive green zone to the north. The lifted apartment towers reduce the building’s footprint to a minimum; the liberated ground level provides communal leisure activities embedded in the tropical landscape. “We are thrilled with the opportunity to create an outstanding project in partnership with OMA. The design reflects the new vibrancy and vitality of Orchard Road and Singapore. OMA with its extensive international experience will certainly bring a new perspective to luxury urban living and add to the cosmopolitan flavor of our development,” says Far East Organization Chief Operating Officer, Property Sales, Chia Boon Kuah. “The collaboration with the Far East Organization is an exciting opportunity to further engage Asia,” says Ole Scheeren, Partner of OMA. "The design vertically redistributes the floor area in four alternating towers to create a skyscraper in which architectural and urbanistic concerns merge with mechanisms that create added value. The architecture, in this sense, goes beyond form and generates symbiotic qualities”.

Passage & Image from:
http://www.worldarchitecturenews.com/index.php?upload_id=946&fuseaction=wanappln.projectview

Digital and Design Studio

I just get lost surfing and found this site quiet nice in presenting their architectural rendering. Personally, i really like its rendering...If you're really like design, you should miss this one...more details here>